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Chandrasen Pena
Chandrasen Pena

What Television To Buy

Resolution has long been a top consideration in buying a new TV, but the current TV landscape has seen a flattening of this trend. The TV resolution question used to be between the options of 720p (1,280 by 720 resolution, or just under one million pixels) and 1080p (1,920 by 1,080, or just over two million pixels). Then it moved on to 1080p versus Ultra HD, or 4K (3,840 by 2,160, with eight million pixels). Now, it's no longer a question: 4K is the standard for medium-sized and larger televisions from every major manufacturer.

what television to buy

Because of improving LCD and OLED panel technology, high-end televisions can display wider color gamuts and finer gradients of light and dark than before. Standard video was built around the limitations of older televisions, intentionally using a set range of color and light information in the signal. HDR breaks those limitations and uses expanded ranges with finer values between them. Basically, this means HDR displays can produce more colors and more shades of gray (or, rather, luminance values) than standard dynamic range displays.

There are two major HDR standards out there with commercially available content: HDR10 and Dolby Vision. HDR10 is an open platform that uses 10-bit color values. The UHD Alliance certifies televisions that meet the HDR10 standard, along with minimum brightness and contrast ratios, as UltraHD Premium. Dolby Vision is a closed standard from Dolby; it supports 12-bit color and determines ranges in the signal it provides to a display on the fly, based on the display itself and the needs of the scene. Televisions that support Dolby Vision note so on their packaging.

HDR content is generally rarer than SDR UHD content, but it's still widely available, especially for new shows and films on major streaming services. Ultra HD Blu-rays, along with Netflix, Amazon Prime Video, HBO Max, and other streaming apps all support HDR in HDR10 and/or Dolby Vision. Whether one standard is better than the other is difficult to determine at this point; HDR10 uses more concrete values and is easier to technically evaluate, but Dolby Vision is designed to specifically fit the needs and limits of whatever television you use. Whether its HDR10 or Dolby Vision, HDR-capable televisions can produce a better picture than TVs that don't support the wider color gamuts or increased range of luminance information.

Huge price slashes on Black Friday often promote budget or midrange televisions with seemingly big discounts, but their pictures might not be nearly as good as higher-end models. Check the model numbers carefully against reviews for a good sense of whether the discount you see is worthwhile.

Plasma TVs were the only flat-panel models available when they first came out nearly two decades ago. They're now a dead category, however, and you won't find a major television manufacturer that sells new plasma models. That means you likely must choose between LED-backlit LCD TVs (also simply called LED TVs), and much less common, much more expensive OLED displays.

OLED (organic light-emitting diode) displays are a rare and very expensive technology for TVs and, despite their name, are drastically different from LED-backlit televisions. In fact, they're closer to plasma screens in how they work. Each diode generates both color and light, like in plasma screens, but the diodes can be much smaller and thinner than even LED-lit panels. That makes it possible for them to produce very impressive black levels. For a few years, LG and Sony were the only television manufacturers that offered OLED models. However, Vizio entered the field three years ago, and Samsung dipped its toe in the OLED TV market in 2022. The latter released the brightest OLED TV we've seen yet, the S95C, in 2023.

Almost all TVs now offer web apps and built-in Wi-Fi via a smart TV platform. These features let you connect your television to the internet and access online streaming services such as Amazon, Netflix, Hulu, Sling TV, and YouTube. Many also integrate social network services like Facebook and Twitter, and many manufacturers offer entire downloadable app ecosystems with other programs and games you can use on your TV. Some manufacturers like LG, Samsung, and Vizio develop first-party systems, while others like Hisense, Sony, and TCL use third-party systems like Google TV and Roku TV to give their TVs apps and online services.

In short, set-top boxes like the Apple TV and streaming sticks like the Chromecast do everything your smart TV can do, but better. They're inexpensive and much more flexible. And since you can add them to any TV, your television set itself remains a simple display while the device handles what you're watching.

Streaming services already offer 4K content, and with 4K televisions becoming so popular, more content is sure to follow. Plus, all the 4K TVs Best Buy sells are capable of upscaling standard high-definition content to near-4K quality.

TV Turns On In the 1940s, television started, stopped, started again and then took off. In the process, the new medium turned on the lives of rural residents connecting them to the rest of the world even more than newspapers or radio.

When World War II started, all commercial production of television equipment was banned. Production of the cathode ray tubes that produced the pictures was redirected to radar and other high tech war uses.

After the war television was something few had heard of. That changed quickly. In 1945, a poll asked Americans, "Do you know what television is?" Most didn't. But four years later, most Americans had heard of television and wanted one! According to one survey in 1950, before they got a TV, people listened to radio an average of nearly five hours a day. Within nine months after they bought a TV they listened to radio, but only for two hours a day. They watched TV for five hours a day.

In 1947, President Harry Truman's state of the union address and the baseball World Series were televised. A year later, CBS and NBC networks started 15-minute nightly newscasts. In the late 1940s there were 98 commercial television stations in 50 large cities.

Farm families were not far behind their city brethren. Entrepreneurs hurried build television stations to reach every part of the country. Even if there was only one, snowy, black and white station on the air, farmers and their children wanted that TV set. The first family in the neighborhood to get a TV would invite friends and neighbors to come over and watch.

The 1940s TVs didn't look like today's televisions. Most had picture screens between 10 and 15 inches wide diagonally, inside large, heavy cabinets. And, of course, color broadcasts and sets didn't arrive until much later, in 1954.

Harry Hankel was impressed by the "newness" of it. "We take it for granted today," he says. "Then, why, we didn't because it was something that never had happened before."Kelly Holthus remembers that he and his wife went out to his folks' farm most nights when they got a television set. "It was so fuzzy you could hardly see it," he says. Yet, they were still fascinated. "Every so often, we'd say, 'Oh, that's a good picture."

What did families watch on those little picture tubes? Well, for a time, the most watched thing on TV was the test pattern that was broadcast before and after the station signed on. TV programming did not run all day and night. Most parts of rural America had to make do with a single television station.

The demand for television sets and programs in the late 1940s set the stage for a revolution that would expand in the 1950s and 60s and change American family life, business, politics, economic, and society.

Media buying is a process used in paid marketing efforts. The goal is to identify and purchase ad space on channels that are relevant to the target audience at the optimal time, for the least amount of money. Media buying is a process relevant to both traditional marketing channels (television, radio, print) and digital channels (websites, social media, streaming). When done effectively, media buyers achieve maximum exposure among their target market for the least amount of spend.

Get Smart is an American comedy television series parodying the secret agent genre that had become widely popular in the first half of the 1960s, with the release of the James Bond films. It was created by Mel Brooks and Buck Henry, and had its television premiere on NBC on September 18, 1965. It stars Don Adams (who was also a director on the series) as agent Maxwell Smart (Agent 86), Barbara Feldon as Agent 99, and Edward Platt as The Chief. Henry said that they created the show at the request of Daniel Melnick[1] to capitalize on James Bond and Inspector Clouseau, "the two biggest things in the entertainment world today".[2] Brooks described it as "an insane combination of James Bond and Mel Brooks comedy".[3]

The show switched networks in 1969 to CBS. It ended its five-season run on May 15, 1970, with a total of 138 episodes. The Museum of Broadcast Communications finds the show notable for "broadening the parameters for the presentation of comedy on television".[7]

With the revival series on Fox, Get Smart became the first television franchise to air new episodes (or made-for-TV films) on each of the aforementioned current four major American television networks, although several TV shows in the 1940s and 1950s aired on NBC, CBS, ABC and DuMont. The different versions of Get Smart did not all feature the original lead cast.

In the mid-1980s, Adams reprised his role of Maxwell Smart for a series of telephone banking commercials for Empire of America Federal Savings Bank in Buffalo, New York. The telephone banking service was called SmartLine, and Sherwin Greenberg Productions (a video production company and bank subsidiary) produced radio and television ads, as well as a series of still photos for use in promotional flyers that featured Adams' Maxwell Smart character wearing the familiar trenchcoat and holding a shoe phone to his ear. The television commercials were videotaped in Sherwin Greenberg Productions' studio on a set that resembled an old alleyway which utilized fog-making machinery for special effect. The production company even secured a lookalike of the red Alpine that Adams used in the television series, making it a memorable promotion for those familiar with the series of nearly 20 years earlier. 041b061a72


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